And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”

Artistry

Swift also found a new sense of creativity within this new mindset, one where she aimed to still embed playful themes in her songwriting but with less snark than that of “Blank Space” and “Look What You Made Me Do.” Leaning into Lover being a “love letter to love,” Swift explored every aspect of it. After finding love amongst chaos with reputation, Swift was learning to deal with the anxiety and fear of losing her partner — became a major theme of another aptly titled album, Lover. With time, though, it became clear that the response to reputation became muddled with the public’s overall perception of her at the time — some even claimed that Swift was ahead of her time with the album’s overall sound. Although Swift said that the album has its vindictive moments — even declaring that the “old Taylor” is dead on the bridge of “Look What You Made Me Do” — it’s a vulnerable record for her. Following the release of 1989, Swift became a cultural juggernaut, and the album has had an omnipresence in music since. And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.

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Following the career-pivoting Rated R, 2010’s Loud offered a welcome return to the West Indian artist’s earlier sound. Rated R showcased Rihanna’s undeniable star power, and allowed her to shed her good-girl image once and for all. Badgal RiRi returned to her dancehall roots on her fifth No. 1 “Rude Boy,” which offsets the album’s harrowing motif. The singer had grown in leaps and bounds while taking musical risks, even penning nine of Rated R’s 13 tracks (she had no writing credits on Good Girl Gone Bad). Following three multi-platinum albums in a three-year span, Rihanna’s rebranding as a rebel at heart reached its apex.
“And it turns out that’s not the case at all … and we just were catching lightning in a bottle with this record.” “I used to kind of have this dark fear that if I ever were truly happy and free being myself and nurtured by a relationship, what happens if the writing just dries up? What if writing is directly tied to my torment and pain?” she betista casino said ahead of the album’s release. “Wood” is Swift taking cues from fellow showgirl Carpenter, winking at listeners as she weaves as many innuendos about the word as possible. “The Fate of Ophelia” might be Swift’s best lead single since “Mine” in 2010, thanks to its infectious beat and memorable chorus.
In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.

• When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama.
• Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
• It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
• Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks.
• Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free.
• Following the success with folklore and evermore, Swift’s intrigue was at a then-all-time high upon the release of Midnights.

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• Rihanna began working on a new record, but the project was delayed as she took a break from music.
• Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing.
• And where some might trade a hit or two at the expense of their artistic integrity, Swift didn’t falter — instead, her lyrics were just as heartfelt and intimate as they were on prior albums.
• Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school.
• “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter.
• Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006).

More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like “Love Story” and “You Belong With Me,” yet still keeps the confessional attributes known in country songwriting. Even as a new country artist, critics claimed that she “mastered” the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. One writer in particular, Liz Rose, applauded Swift’s songwriting capabilities, stating that she was more of an “editor” for the songs because Swift already had such a distinct vision.
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.

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Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.

Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.
Janelle Monáe featured Nancy not once but twice on 2023’s Album Of The Year-nominated The Age Of Pleasure, and sampled “Bam Bam” on “Water Slide.” In further recognition of her impact, Burberry asked Sister Nancy to participate in their spring/summer 2024 campaign, which was shot in Jamaica. She’s performed on global stages and can be seen regularly at New York hotspots such as Union Pool, Public Records, and S.O.B.’s. After hearing Nancy on Hot 97’s “Ebro In The Morning,” Jay-Z flew the legend to Jamaica to sing and feature in his hybrid music video-documentary. Kanye West prominently sampled “Bam Bam” in the Rihanna-featuring “Famous”; Nancy’s chorus comes in midway through the song, adding an ethereal quality to West’s braggadocio. With her rights restored, Sister Nancy’s trajectory changed dramatically in the latter half of the 2010s — due in no small part to nods and samples from two of hip-hop’s biggest artists. “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.

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She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.
Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination. Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music. She is the eldest of three siblings, navigating a childhood fraught with challenges, including her father’s struggles with substance abuse and her parents’ tumultuous marriage, which ultimately ended in divorce when she was just 14. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in St. Michael Parish, Barbados, is a globally renowned pop star, singer, and fashion icon.
The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook. Still, as a love song dedicated to wife Amanda Shires — and the quiet acceptance that the Grim Reaper will inevitably end their story — it’s certainly no less emotional. Just four years after picking up five GRAMMY nominations for their transatlantic chart-topper “Love the Way You Lie,” unlikely dream team Eminem and Rihanna once again joined forces for another hip-pop masterclass. Traditional Appalachian folk song “O Death” had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few. The King of Pop picked up a whopping 11 nominations for his first blockbuster album, Thriller, and then converted seven of them into wins, including Album Of The Year. Considering how perfectly Mike Oldfield’s prog-rock epic Tubular Bells complements all-time classic horror flick The Exorcist, it’s remarkable to think that it was recorded before director William Friedkin came calling.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
In 2016, it was confirmed that Rihanna would release her music through her own label, Westbury Road Entertainment, founded in 2005 and named after her childhood home in Barbados. Including Beyoncé and Jay-Z, 16 artist stakeholders co-own Tidal, most of whom own a 3% equity stake. He highlighted her multifaceted career, “from her business achievements through Fenty to her tremendous record as an activist and philanthropist”.
To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
No longer was she the girl writing songs like “Fifteen” in her bedroom — now she was working through becoming a highly publicized figure. Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals. The album’s lead single, “Tim McGraw,” an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them. As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.
An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.